What is your character's favorite type of movie? Does she go to the movies often? Does she prefer to watch them in the comfort of her own home, sitting from the couch dressed in pjs, or does she get a thrill from sitting in the large, dark theater surrounded by other movies goers?
How can a trip to the movies, or just a movie itself work its way into your story? Does a specific movie parallel the action of your own plot? Or does a new romance begin while watching a film over popcorn and a large drink? If your character is a child, is this her first trip to the movies with her friends, or alone, or ever? Or, does a trip to the theater reveal a sadness in your character's life? Think of all the different ways a movie can work into your plot, and, if it just doesn't seem to fit, how can a movie that has been important to your character reveal something about her personality to your reader? Use your character's emotional response to a scene to speak for her, perhaps sharing something she is unable to articulate on her own.
Wednesday, November 28, 2012
Sunday, November 25, 2012
In Thanks — The Importance of a Mentor
This time next week, I will have turned in my final revision of my manuscript and will be anxiously awaiting for my mentor's final responses. He will annotate the manuscript, send me a letter, and I will call him on the phone — all for the final time, at least in this context. After Saturday, our cooperative work on this project will be done. And I can honestly admit, that idea seems strange.
After almost three and a half months of working together, and after I have worked on this manuscript for two months before that, somedays it seems this project has just become part of the very nature of my life. But like all projects, this manuscript is wrapping up and a new one will soon be starting. In some ways, it is time to move on, and transition into the next phase of sending it out and starting my next project. Nevertheless, I wanted to take the time to truly stop and appreciate all that I've accomplished in the past five months, and, more importantly, the person who has helped me do so.
When I found out who my mentor was in mid-August, I was overjoyed to have the privilege of working with someone who had accomplished so much in his career and who, I was certain, had much wisdom to share. It turns out I was right. I truly could not have picked anyone to work with over the past few months. I would never have gotten my manuscript to this point without my mentor and editor, Stephen Roxburgh.
Like the very name of his publishing company suggests, the role of an editor may often be unseen or unknown to the reader, but it is of supreme importance both to the writer, and the manuscript itself. My manuscript is infinitely better because of the ways that Stephen has shaped and led me. The input, guidance, wisdom and support he has given me has not only bettered my manuscript, but also changed me as a writer. I am thankful for his choice to work with me, and all of the wisdom he has imparted along the way. I could write for pages about all the things I've learned about the writing process and the craft; how to view your characters; what to cut and what to keep; the intentionality behind every word; the steps of the revision process; and so much more. But really, while all of these things are invaluable, most of all I want to appreciate his willingness to work with me and help me get closer to the writer I want to be. It all started with his decision to take on my project and work with a young writer. And for that I will be forever grateful.
Of course, I know that this mentorship with Stephen is a unique situation afforded to me by my master's program, but the value of having a writing mentor cannot be overestimated. While mentors are easier to obtain within a school setting, whether at the college or graduate level, I would highly encourage anyone to make sure that they are learning from writers or editors who have been doing this longer than you have. Mentors could perhaps come from a writing group or class you decide to take. And on some level, reading books about craft can serve as a type of mentorship for your writing as well. But being in relationship with other writers or editors who can read and help better your work is absolutely invaluable. Not only will you learn more about writing, but you will also find encouragement and support as you work your hardest and chase your dream.
I am blessed to say that these past few months have proven to be a great learning experience for me. I will always remember the guidance of my mentor and look back at the growth I have made during this time. I cannot express just how grateful I am, but only hope to continue learning and writing, and hopefully have more relationships such as this one — relationships that make me better, and lead me to create better books.
After almost three and a half months of working together, and after I have worked on this manuscript for two months before that, somedays it seems this project has just become part of the very nature of my life. But like all projects, this manuscript is wrapping up and a new one will soon be starting. In some ways, it is time to move on, and transition into the next phase of sending it out and starting my next project. Nevertheless, I wanted to take the time to truly stop and appreciate all that I've accomplished in the past five months, and, more importantly, the person who has helped me do so.
When I found out who my mentor was in mid-August, I was overjoyed to have the privilege of working with someone who had accomplished so much in his career and who, I was certain, had much wisdom to share. It turns out I was right. I truly could not have picked anyone to work with over the past few months. I would never have gotten my manuscript to this point without my mentor and editor, Stephen Roxburgh.
Like the very name of his publishing company suggests, the role of an editor may often be unseen or unknown to the reader, but it is of supreme importance both to the writer, and the manuscript itself. My manuscript is infinitely better because of the ways that Stephen has shaped and led me. The input, guidance, wisdom and support he has given me has not only bettered my manuscript, but also changed me as a writer. I am thankful for his choice to work with me, and all of the wisdom he has imparted along the way. I could write for pages about all the things I've learned about the writing process and the craft; how to view your characters; what to cut and what to keep; the intentionality behind every word; the steps of the revision process; and so much more. But really, while all of these things are invaluable, most of all I want to appreciate his willingness to work with me and help me get closer to the writer I want to be. It all started with his decision to take on my project and work with a young writer. And for that I will be forever grateful.
Of course, I know that this mentorship with Stephen is a unique situation afforded to me by my master's program, but the value of having a writing mentor cannot be overestimated. While mentors are easier to obtain within a school setting, whether at the college or graduate level, I would highly encourage anyone to make sure that they are learning from writers or editors who have been doing this longer than you have. Mentors could perhaps come from a writing group or class you decide to take. And on some level, reading books about craft can serve as a type of mentorship for your writing as well. But being in relationship with other writers or editors who can read and help better your work is absolutely invaluable. Not only will you learn more about writing, but you will also find encouragement and support as you work your hardest and chase your dream.
I am blessed to say that these past few months have proven to be a great learning experience for me. I will always remember the guidance of my mentor and look back at the growth I have made during this time. I cannot express just how grateful I am, but only hope to continue learning and writing, and hopefully have more relationships such as this one — relationships that make me better, and lead me to create better books.
Wednesday, November 21, 2012
Wednesday's Writing Prompt — Turkey!
Thanksgiving is in just a few hours, and your character has someone been put in charge of making the meal. Has he done this ten times before? Or maybe this is his first time cooking a turkey? Is he doing this alone or does he have someone there to help him? Does something catch on fire, or explode in the microwave? Does the turkey look completely torched, or for some reason, is turkey just not seeming to cook? Were there any initial steps your character forgot to do beforehand? Has he meticulously followed a recipe? Is there anything he's forgotten?
Write a comedy scene that leaves your character in a state of disarray. Think about all the things that go wrong for him. Even if these create a feeling of sadness, creating comedic moments can be a great way to give your reader a break from the tension, and help them to feel more sympathetic toward your character. Visualize the scene in your mind and work on conveying your character's emotions through his response to the situation melting down around him. What does this reveal about your character himself? Is there any way he can save the meal, or will people walk into a kitchen with mashed potatoes on the floor and a freshly burnt turkey sitting on the stove top?
Write a comedy scene that leaves your character in a state of disarray. Think about all the things that go wrong for him. Even if these create a feeling of sadness, creating comedic moments can be a great way to give your reader a break from the tension, and help them to feel more sympathetic toward your character. Visualize the scene in your mind and work on conveying your character's emotions through his response to the situation melting down around him. What does this reveal about your character himself? Is there any way he can save the meal, or will people walk into a kitchen with mashed potatoes on the floor and a freshly burnt turkey sitting on the stove top?
Sunday, November 18, 2012
The Home Stretch — Wrapping Up Your Revision, and Finishing Strong
December 1st is the deadline for my last revision, and this time around, I am feeling a new sense of pressure. This pressures comes solely from myself, of course, but still. It's there. And it's there because as the end of the revision approaches, I've realized just how badly I want to make my novel great, and how the time to do that is now.
Working with my mentor over the last few months has been more than I could have ever hoped for. Truly, I have learned so much and my novel and my knowledge base as a writer has grown tremendously. But now as things are wrapping up, I feel that creeping sense of uncertainty that makes me question if I've done enough, and what more I could be doing.
Revision is not a finite process, and every manuscript and writer will require different styles and timelines for revision. For me, particularly as I was and still am on a very specific revision schedule, the period of three and a half months I have dedicated to revision is now coming to a close. And while I can revise beyond this timeframe, independently or perhaps with another editor or writing buddy, I do see this cycle as one of the final steps in my revision process — at least for now. So, with the idea that in another two weeks my manuscript will have reached a fairly "finished" state, I know my mind is just whirring with questions and lists of things to accomplish and the worry that I just want to do everything to make my manuscript as good as it can be!
Being so close to a manuscript and working with it for so long, I know it can become hard to picture what a new reader will think of the novel as opposed to basing my opinion on the many months I've spent with it. Questions like, will he like it? Will she think its a page-turner? Will he believe all the characters to be authentic and engaging? I know everything about the manuscript, from my protagonist's middle name to exactly how the doctors visit went, and just what the setup of his house looks like. So as I try to evaluate if it is "good", it can be hard to tell just how right, or — gulp — wrong, I could be. All of these questions and feelings have arisen over the past couple days as I have slowly worked through my list of things to revise, and edged closer to my final deadline.
After I turn in this revision, my editor will read the manuscript one last time, and then...Then I am on my own. I know that I will begin sending the novel to agents as I start the first pages of my spring novel, but the realization that I will be doing this all on my own has really hit me this week. Stephen won't be there for me to ask my questions to; and he won't be there to give me a specific task for the next week or impart some much needed wisdom. And it is this knowledge, that soon I will be on my own without anyone to lead me along, has inspired a new wave of diligency. A new sense that now is the time to work and work hard. Now is the time to do all that I can. In all of my other revisions, it's not that I haven't worked hard, but now, it's as though I've moved from dress rehearsal to opening night. It matters what I do this time, because this is where people will start to see it. The time to make things right is now.
It's almost like after this cycle, there is no second chance — and while really, this is my fifth, it holds the same feeling. When you come to the end of revision you want to feel as though your work is as shiny and attractive and creative as possible. You want to feel that no matter who reads it, they will come away feeling impressed, happy to have spent their time within the pages of your story. So I must work hard. Even though I am tired and ready for the semester to end, and even though there are days I feel like I might want to take a break from the world I've created, now, today, is the time to stay focused. And tomorrow, and the next day, and the next day, all the way until December 1st.
Then, I will take a deep breath, press the send button, and, if I work hard for the remaining two weeks, be able to trust that my work is the best that it can be, and that the manuscript is truly ready to go out into the world. Here's to praying that it happens! And to being proud of my work at the end.
Working with my mentor over the last few months has been more than I could have ever hoped for. Truly, I have learned so much and my novel and my knowledge base as a writer has grown tremendously. But now as things are wrapping up, I feel that creeping sense of uncertainty that makes me question if I've done enough, and what more I could be doing.
Revision is not a finite process, and every manuscript and writer will require different styles and timelines for revision. For me, particularly as I was and still am on a very specific revision schedule, the period of three and a half months I have dedicated to revision is now coming to a close. And while I can revise beyond this timeframe, independently or perhaps with another editor or writing buddy, I do see this cycle as one of the final steps in my revision process — at least for now. So, with the idea that in another two weeks my manuscript will have reached a fairly "finished" state, I know my mind is just whirring with questions and lists of things to accomplish and the worry that I just want to do everything to make my manuscript as good as it can be!
Being so close to a manuscript and working with it for so long, I know it can become hard to picture what a new reader will think of the novel as opposed to basing my opinion on the many months I've spent with it. Questions like, will he like it? Will she think its a page-turner? Will he believe all the characters to be authentic and engaging? I know everything about the manuscript, from my protagonist's middle name to exactly how the doctors visit went, and just what the setup of his house looks like. So as I try to evaluate if it is "good", it can be hard to tell just how right, or — gulp — wrong, I could be. All of these questions and feelings have arisen over the past couple days as I have slowly worked through my list of things to revise, and edged closer to my final deadline.
After I turn in this revision, my editor will read the manuscript one last time, and then...Then I am on my own. I know that I will begin sending the novel to agents as I start the first pages of my spring novel, but the realization that I will be doing this all on my own has really hit me this week. Stephen won't be there for me to ask my questions to; and he won't be there to give me a specific task for the next week or impart some much needed wisdom. And it is this knowledge, that soon I will be on my own without anyone to lead me along, has inspired a new wave of diligency. A new sense that now is the time to work and work hard. Now is the time to do all that I can. In all of my other revisions, it's not that I haven't worked hard, but now, it's as though I've moved from dress rehearsal to opening night. It matters what I do this time, because this is where people will start to see it. The time to make things right is now.
It's almost like after this cycle, there is no second chance — and while really, this is my fifth, it holds the same feeling. When you come to the end of revision you want to feel as though your work is as shiny and attractive and creative as possible. You want to feel that no matter who reads it, they will come away feeling impressed, happy to have spent their time within the pages of your story. So I must work hard. Even though I am tired and ready for the semester to end, and even though there are days I feel like I might want to take a break from the world I've created, now, today, is the time to stay focused. And tomorrow, and the next day, and the next day, all the way until December 1st.
Then, I will take a deep breath, press the send button, and, if I work hard for the remaining two weeks, be able to trust that my work is the best that it can be, and that the manuscript is truly ready to go out into the world. Here's to praying that it happens! And to being proud of my work at the end.
Wednesday, November 14, 2012
Wednesday's Writing Prompt — Birthday
Your character's birthday is coming up. How does he feel about that? Does he like his birthday? Does he hate his birthday? Is he trying to pretend like it's just another day, or is he making a big deal about it? Think about your character's previous birthdays. What was the worst birthday he had? What was the best? Determine which was more significant to your character's development. You don't have to include these scenes within your story, but be sure to know the ways they made a lasting impact upon your character.
How are the people in his life reacting to this upcoming date? Are they on the same page regarding his birthday, or do they hold the opposite stance than that of your character? How can that create tension within your story? Will this year bring about a change, or will your character's birthday be the same as always? Is this day linked to a larger problem within your story? How does it exacerbate or bring resolution to the greater tension?
How are the people in his life reacting to this upcoming date? Are they on the same page regarding his birthday, or do they hold the opposite stance than that of your character? How can that create tension within your story? Will this year bring about a change, or will your character's birthday be the same as always? Is this day linked to a larger problem within your story? How does it exacerbate or bring resolution to the greater tension?
Sunday, November 11, 2012
A Blog on My Birthday — Lessons from the Past Year
Birthdays are a great time for reflection. And since today is my birthday, and my weekly blogging day, I thought this would be a great time to reflect on my writing over the past year, and the things we can learn on commemorative days such as these. So, since twenty four would make for way too long of a blog post, I came up with twelve things I've learned over the past year. Some are things I've learned for the first time, and some are simply lessons that have been affirmed over the past year, but all contribute to bettering your writing, and more importantly, becoming a better writer yourself. Hope you enjoy!
1. Write all the time. Over the past year, I've done a lot of writing. Completing two manuscripts, planning a third, and fully revising one, and while some days I can honestly say I am exhausted, the truth is that the more I write, the better I become. My last book was better than the one before, and my next will be better still. You learn as you write. And even if you can't trace it, or measure it, or quantify it in some way, writing all the time makes you better; and leads to more production — which is always good, because you never know which book will be your winning ticket.
2. Stay committed. There will be days when you just want to stop, or quit, or maybe scream. But seeing your project through is just as important as starting it in the first place. Creating goals can be a good way to do this. Creating a schedule helps, too. But no matter what system you use, staying committed makes all the difference. Writers will go through struggles. But real writers will also be the ones to persevere.
3. Make sure you have at least one writing buddy. My writing buddy has been supremely important in keeping me going, reminding me of my goal, and helping to develop my ideas. We don't necessarily work together or read each other's work all the time, but every time we get together we talk about our ideas, and work through our uncertainties. We encourage one another and throw out different ways a plot might go, or bring up important elements to keep in mind. Writing buddies are key. You may actually write alone, in a solitary space, but no writer can actually do it alone. You at least need someone who understands all your complaints about writing!
4. Tell people what you do, and accept their encouragement. This has been one of the greatest things for me this year, and something I've realized for the first time. I think I've said it before, but I have been blown away by the way people are interested in, curious about, and supportive of my writing. This has kept me going on lots of occasions. Telling people about your process invites them into a relationship with your work in some small way, and opens up lots of doors for support and encouragement — most of which miraculously come at just the right moment!
5. Remember how far you've come. Writing is a solitary act, and sometimes, after we've revised and revised or written and rewritten, it can feel as though we are not achieving quite what we want to achieve. But remember where you started. Every writer has at least one book sitting in the drawer, and that book may never do anything other than collect some real or virtual dust. But there is nothing wrong with this. Just think about how you used to be looking at the blank screen and now you have fifty pages. Or how bad your last manuscript was. Or how you used to write weak dialogue but now write engaging, page turning discussions. Don't forget the past. It will help you stay motivated for the future.
6. Make writing a priority. I've said no to plenty of plans over the past year, or made myself sit in front of my computer when all I really wanted to do was watch a TV show or hang out with a friend. Writing will only get done if you actually make yourself do it. Don't let it get lost in the shuffle.
7. Always be searching for new ideas. The project you are working on will eventually come to an end. Published or unpublished, just like when you get to the end of a good book and start reading slower so the last page takes that much longer to come, your manuscript too will have to be wrapped up in some fashion. And you want to be ready to move onto the next project. So remember to keep your eyes and ears open for the next great idea. It might come from a headline of a newspaper or the person sitting in the cube next to you. But wherever it comes from, make sure to be on the lookout, and to write it down!
8. Remember that you love this. I'm not sure that all of us writers would have the same answer about why we write, but take some time to remember just why you are doing this. Why do you love writing so much? What is it about books that makes you excited or tugs at your heart? Remember these things. Because on the discouraging days, this will ultimately keep you going.
9. Trust yourself, and your idea. It is super important to listen to the suggestions of other writers, and to study writing as a craft. But at the same time, you want to make sure to stick with what you know is right for you. My professor once said newer authors often give in to suggestions of their editors because they feel that they have to, even if they don't agree. I think it is supremely important to follow and consider the suggestions of your editor, or agent, but never forget that this is your work and you should ultimately stay true to what you believe.
10. Persevere. When people tell you it's not good enough, or raise their eyebrows in question when you tell them your idea — just keep moving forward. Part of the writing life is rejection, uncertainty, and lots and lots of words on a page before you get to something truly great. But keep going. Keep writing, even if for now, you're the only one who stands behind what you're doing.
11. Sometimes, take a break. Whether the break is a half hour longer of dinner, or going to bed early, or just a spontaneous dance party in your room, getting away from the screen can be just as important as sitting there. Creativity isn't always on the schedule we want it to be, so don't be afraid to let your mind rest for a little while. It will make all the difference in the end.
12. Be ambitious. Fear can definitely be a road block to this, but the more ambitious you are, the more likely you will be in meeting your goals. Of course, realistic goals are important, too, but selling yourself short will never get you anywhere. So think big. And work hard. And your ambitions will suddenly seem like they're in reach.
1. Write all the time. Over the past year, I've done a lot of writing. Completing two manuscripts, planning a third, and fully revising one, and while some days I can honestly say I am exhausted, the truth is that the more I write, the better I become. My last book was better than the one before, and my next will be better still. You learn as you write. And even if you can't trace it, or measure it, or quantify it in some way, writing all the time makes you better; and leads to more production — which is always good, because you never know which book will be your winning ticket.
2. Stay committed. There will be days when you just want to stop, or quit, or maybe scream. But seeing your project through is just as important as starting it in the first place. Creating goals can be a good way to do this. Creating a schedule helps, too. But no matter what system you use, staying committed makes all the difference. Writers will go through struggles. But real writers will also be the ones to persevere.
3. Make sure you have at least one writing buddy. My writing buddy has been supremely important in keeping me going, reminding me of my goal, and helping to develop my ideas. We don't necessarily work together or read each other's work all the time, but every time we get together we talk about our ideas, and work through our uncertainties. We encourage one another and throw out different ways a plot might go, or bring up important elements to keep in mind. Writing buddies are key. You may actually write alone, in a solitary space, but no writer can actually do it alone. You at least need someone who understands all your complaints about writing!
4. Tell people what you do, and accept their encouragement. This has been one of the greatest things for me this year, and something I've realized for the first time. I think I've said it before, but I have been blown away by the way people are interested in, curious about, and supportive of my writing. This has kept me going on lots of occasions. Telling people about your process invites them into a relationship with your work in some small way, and opens up lots of doors for support and encouragement — most of which miraculously come at just the right moment!
5. Remember how far you've come. Writing is a solitary act, and sometimes, after we've revised and revised or written and rewritten, it can feel as though we are not achieving quite what we want to achieve. But remember where you started. Every writer has at least one book sitting in the drawer, and that book may never do anything other than collect some real or virtual dust. But there is nothing wrong with this. Just think about how you used to be looking at the blank screen and now you have fifty pages. Or how bad your last manuscript was. Or how you used to write weak dialogue but now write engaging, page turning discussions. Don't forget the past. It will help you stay motivated for the future.
6. Make writing a priority. I've said no to plenty of plans over the past year, or made myself sit in front of my computer when all I really wanted to do was watch a TV show or hang out with a friend. Writing will only get done if you actually make yourself do it. Don't let it get lost in the shuffle.
7. Always be searching for new ideas. The project you are working on will eventually come to an end. Published or unpublished, just like when you get to the end of a good book and start reading slower so the last page takes that much longer to come, your manuscript too will have to be wrapped up in some fashion. And you want to be ready to move onto the next project. So remember to keep your eyes and ears open for the next great idea. It might come from a headline of a newspaper or the person sitting in the cube next to you. But wherever it comes from, make sure to be on the lookout, and to write it down!
8. Remember that you love this. I'm not sure that all of us writers would have the same answer about why we write, but take some time to remember just why you are doing this. Why do you love writing so much? What is it about books that makes you excited or tugs at your heart? Remember these things. Because on the discouraging days, this will ultimately keep you going.
9. Trust yourself, and your idea. It is super important to listen to the suggestions of other writers, and to study writing as a craft. But at the same time, you want to make sure to stick with what you know is right for you. My professor once said newer authors often give in to suggestions of their editors because they feel that they have to, even if they don't agree. I think it is supremely important to follow and consider the suggestions of your editor, or agent, but never forget that this is your work and you should ultimately stay true to what you believe.
10. Persevere. When people tell you it's not good enough, or raise their eyebrows in question when you tell them your idea — just keep moving forward. Part of the writing life is rejection, uncertainty, and lots and lots of words on a page before you get to something truly great. But keep going. Keep writing, even if for now, you're the only one who stands behind what you're doing.
11. Sometimes, take a break. Whether the break is a half hour longer of dinner, or going to bed early, or just a spontaneous dance party in your room, getting away from the screen can be just as important as sitting there. Creativity isn't always on the schedule we want it to be, so don't be afraid to let your mind rest for a little while. It will make all the difference in the end.
12. Be ambitious. Fear can definitely be a road block to this, but the more ambitious you are, the more likely you will be in meeting your goals. Of course, realistic goals are important, too, but selling yourself short will never get you anywhere. So think big. And work hard. And your ambitions will suddenly seem like they're in reach.
Wednesday, November 7, 2012
Wednesday's Writing Prompt — Speech
Whether for a win, a loss, or some other occasion, place your character in a situation in which they have to make a speech. How will her address be received? Do the consequences of her words
better her world? What benefits does she gain from the address? Or is she instead putting herself or someone else in danger?
Is she being forced to make this speech? What will happen if she
refuses?
Consider the emotions of your character. Instead of stating them explicitly, try to reveal them to the reader through describing her physical reactions, her perception of the room, and the diction that she uses. Perhaps she is feeling nauseous and light-headed, or her voice shakes as she speaks. Or, maybe her perception of the lights around her make her feel as though the room is warm and inviting, even glowing. As your character walks up to the microphone or feels the eyes of the spectators for the first time, what happens? Consider starting your story in this very moment, filling in the backstory as you go.
Sunday, November 4, 2012
The Question of What to Say — On Talking About Your Manuscript
Today marks the end of my fourth revision cycle, after which I will have a few days of rest before receiving my manuscript back from my editor/mentor, and will start revision all over again. And while this past revision cycle has been busy with edits, the most challenging of which turned out to be deciding the placement of chapter breaks, I wanted to blog about something other than the revision process itself. Something that has been on my mind for quite some time. Namely, the decision about when to talk about my novel, and to what extent.
With my blog and my general commitment to writing/revising each and every day, pretty much everyone in my life knows, on some level, about my writing. The support I have received has been truly overwhelming, and I am so thankful for the encouragement offered each and every week. I've even blogged about it here, as I know that my writing, and my emotional wellbeing, would not be anywhere as strong without all of you. But in everyone knowing and supporting my writing, questions about my book and requests to read it consistently come up. And I always find myself at a bit of a crossroads here, unsure about how much to share, but not wanting to hurt someone's feelings by saying no.
I love sharing insights about my writing process, how I get ideas, the timeline of writing, and the publishing industry itself. Honestly, it is so great that people are so interested and want to understand my writing life better, as I know it opens up connections and deepens relationships when you share your passions with other people. At the same time, it can be hard to know what exactly to say and what to keep to myself. On my blog, I tried to be very careful about not revealing too much about my manuscript, because as much as the online world is wonderful and encouraging and meant to be a shared experience, I simultaneously want to protect my ideas, and make sure I don't give too much away in the case that my manuscript will be published one day. But with friends, and those I care about, it is much harder to be as protective or deny someone insight into what my ideas may be.
Over the past fews months, in response to the question, "What is your manuscript about?", one of the ways I've tried to manage this is by prefacing my answer with, "I will tell you, but you can't tell anyone else." Sometimes, I feel a little silly repeating this, but I see it as a way to both alert someone that not only do I really not want them to tell anyone else, but also that by telling them, I am placing a certain amount of trust and confidence in that person. Of course, depending on who I am talking to, I provide more or less detail about the work, but other than perhaps my one writing friend who I work through all my ideas with, I also feel a little uncomfortable telling people about my work. And that turns into feeling a little guilty.
I know people are just asking because they are curious. And so often I receive truly amazing, and surprising support from others. Because the reality is that they really do care. But while the writing process, and this part of my life really, is something that I definitely want to share, it is also something that I do alone; something that still has to come from me, and no one else. Recently, a friend asked me why I wouldn't want to let other people read my work. And it was a really good question because it made me reflect on the reasons which I think are these:
I know some authors never disclose what they are working on, not even revealing the smallest snippet of the idea. This is definitely not something I am looking to do, but I do think the amount of sharing can also depend on the project. For the manuscript I will begin working on in December, I know that I do not want to share as much as I have for this project with such a broad spectrum of people. I've only told one person the title, and other than two of my friends who have helped me work out the plot, virtually no one knows anything about it beyond that it is going to be a fantasy novel, much like a fairy tale. And for some reason, with this project, I want to keep it that way.
I guess I don't have any concrete conclusions to share or what is the "right" answer. But I often feel this tension between wanting to answer people openly, and not wanting to keep my work private. Of course, there are times when I want help, and I definitely rely on a few fun, key idea people to bring up new concepts and help me work through conundrums. But on the whole, this is a question I think about consistently, and one I have still yet to resolve in my mind.
Perhaps this tension between wanting to be friendly, loving, and open and wanting to protect, shelter, and keep my work private will always exist. But at least know that if I don't tell you as much as you might like, it is truly nothing personal. It's just hard for me to know exactly what to say.
I'd love to hear what others writers think about this, and how much others are willing to share with friends and what that they keep to themselves, so feel free to comments or shoot me an email!
With my blog and my general commitment to writing/revising each and every day, pretty much everyone in my life knows, on some level, about my writing. The support I have received has been truly overwhelming, and I am so thankful for the encouragement offered each and every week. I've even blogged about it here, as I know that my writing, and my emotional wellbeing, would not be anywhere as strong without all of you. But in everyone knowing and supporting my writing, questions about my book and requests to read it consistently come up. And I always find myself at a bit of a crossroads here, unsure about how much to share, but not wanting to hurt someone's feelings by saying no.
I love sharing insights about my writing process, how I get ideas, the timeline of writing, and the publishing industry itself. Honestly, it is so great that people are so interested and want to understand my writing life better, as I know it opens up connections and deepens relationships when you share your passions with other people. At the same time, it can be hard to know what exactly to say and what to keep to myself. On my blog, I tried to be very careful about not revealing too much about my manuscript, because as much as the online world is wonderful and encouraging and meant to be a shared experience, I simultaneously want to protect my ideas, and make sure I don't give too much away in the case that my manuscript will be published one day. But with friends, and those I care about, it is much harder to be as protective or deny someone insight into what my ideas may be.
Over the past fews months, in response to the question, "What is your manuscript about?", one of the ways I've tried to manage this is by prefacing my answer with, "I will tell you, but you can't tell anyone else." Sometimes, I feel a little silly repeating this, but I see it as a way to both alert someone that not only do I really not want them to tell anyone else, but also that by telling them, I am placing a certain amount of trust and confidence in that person. Of course, depending on who I am talking to, I provide more or less detail about the work, but other than perhaps my one writing friend who I work through all my ideas with, I also feel a little uncomfortable telling people about my work. And that turns into feeling a little guilty.
I know people are just asking because they are curious. And so often I receive truly amazing, and surprising support from others. Because the reality is that they really do care. But while the writing process, and this part of my life really, is something that I definitely want to share, it is also something that I do alone; something that still has to come from me, and no one else. Recently, a friend asked me why I wouldn't want to let other people read my work. And it was a really good question because it made me reflect on the reasons which I think are these:
- My friends and family are not my target audience
- While I will always want my loved ones to like what I write, ultimately, I am going to keep writing it either way, and don't want to feel discouraged by potential disapproval
- To some extent, I am just not interested in their opinions, because I want to trust my own, and I want to create something that comes strictly from me
- I want them to read it one day for sure, but not until the work is done, polished, and really ready to go somewhere
I know some authors never disclose what they are working on, not even revealing the smallest snippet of the idea. This is definitely not something I am looking to do, but I do think the amount of sharing can also depend on the project. For the manuscript I will begin working on in December, I know that I do not want to share as much as I have for this project with such a broad spectrum of people. I've only told one person the title, and other than two of my friends who have helped me work out the plot, virtually no one knows anything about it beyond that it is going to be a fantasy novel, much like a fairy tale. And for some reason, with this project, I want to keep it that way.
I guess I don't have any concrete conclusions to share or what is the "right" answer. But I often feel this tension between wanting to answer people openly, and not wanting to keep my work private. Of course, there are times when I want help, and I definitely rely on a few fun, key idea people to bring up new concepts and help me work through conundrums. But on the whole, this is a question I think about consistently, and one I have still yet to resolve in my mind.
Perhaps this tension between wanting to be friendly, loving, and open and wanting to protect, shelter, and keep my work private will always exist. But at least know that if I don't tell you as much as you might like, it is truly nothing personal. It's just hard for me to know exactly what to say.
I'd love to hear what others writers think about this, and how much others are willing to share with friends and what that they keep to themselves, so feel free to comments or shoot me an email!
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